Anthony Braxton Trillium J The Non-Unconfessionables 4 CD +Blu Ray LIVE Disc SET

Description

Anthony Braxton's ( "Anthony "Monterverdi Boy" Braxton
)
latest opera Trillium J
ANTHONY BRAXTON
TRILLIUM J (2009)
THE NON-CONFESSIONABLES
Composition NO. 380
The secret password of Trillium J is "Just between you and me"
NBH 906
Box Set in Slipcase includes: 4 CD's plus a live performance video on Blu-ray disc
Released April 1, 2016
Vocalists:
Roland Burks, bass (Zakko), Kelvin Chan, baritone (Ashmenton), Tomas Cruz, tenor (Joreo), Lucy Dhegrae, soprano (Helena),
Chris DiMeglio, baritone (Bubba John Jack), Kristin Fung, mezzo (Alva), Nick Hallett, tenor (David), Kyoko Kitamura,
soprano (Ntzockie), Kamala Sankaram, soprano (Sundance), Elizabeth Saunders, mezzo (Kim), Jen Shyu, soprano (Shala),
Vince Vincent, tenor (Ojuwain)
Instrumental Soloists: Vincent Chancey (French horn), Jacob Garchik (baritone horn), Jim Hobbs (alto saxophone),
Ingrid Laubrock (soprano saxophone), Domenica Fossati (flute),Oscar Noriega (clarinet), Dan Peck (tuba), Reut Regev (trombone),
Stephanie Richards (trumpet), Katie Scheele (English horn), Josh Sinton (bass clarinet), Libby Van Cleve (oboe)
Dancers: Rachel Bernsen, Melanie Maar
Orchestra:
Violin: Erica Dicker (concertmaster), Sam Bardfeld, Sarah Bernstein, Julianne Carney, Jason Hwang, Mazz Swift, Scott Tixier, Ginger Dolden
Viola: Amy Cimini, Jessica Pavone, Erin Wight
Cello: Marika Hughes, Tomeka Reid, Tomas Ulrich
Bass: Ken Filiano, Mark Helias
Flute: Leah Paul, Domenica Fossati
Oboe/English horn: Kathy Halvorson, Katie Scheele, Libby Van Cleve
Clarinet/saxophone: Mike McGinnis, Jim Hobbs, Ingrid Laubrock, Oscar Noriega, Josh Sinton
Bassoon: Sara Schoenbeck, Katherine Young
French horn: Nathan Koci, Vincent Chancey
Trumpet: Gareth Flowers, Stephanie Richards
Trombone: Jacob Garchik, Reut Regev
Tuba: Dan Peck
Percussion: David Shively
Harp: Jacqui Kerrod
Conductor/Composer/Librettist: Anthony Braxton
Producer: Taylor Ho Bynum for the Tri-Centric Foundation
Lead recording engineer, mixing and mastering: Jon Rosenberg
Stage director: Acushla Bastible
Video art director, film editor: Chris Jonas
Associate stage director: Louisa Proske
Associate video art director: Dylan McLaughlin
Director of photography, assistant film editor: Ross Karre
Choreographer: Rachel Bernsen
Lighting designer: Yi Zhao
Costume designer: Nikki Delhomme
Sound designer: Amy Crawford
Stage manager: Desiree Alejandro
Assistant producer: Kyoko Kitamura
Production assistant: Tyler Rai
Music copyist: Hiram Navarette
Rehearsal pianist: Landon Knoblock
Roulette assistant technical director: Woramon Jamjod
Roulette sound engineers: Stephen Cooper, Caley Monahon-Ward
Lighting technician: Kryssy Wright
Avatar sound engineers: Thom Beemr, Tyler Hartman
Camera operators: Merve Kayan, Daron Nealis, Tatyana Tenenbaum, Chrstine Herde
Layout and design: KJ Parish
Photography: Scott Friedlander, Dylan McLaughlin
Live performance recorded April 19, 2014 at Roulette, Brooklyn. Studio realization recorded April 21-22, 2014 at Avatar Studios, New York, NY
Brand New
NOT a cutout
Manufacturer Shrinkwrapped Sealed
Just downgrading for collector purposes for Shrinkwrap not mint,
just has some topical scratches, from on/off store shelf, but
is still fully wrapped and sealed, back of box on top has a few small
nicks/scratches not going deep thru the cover,
corners fine
Please see pics above...
Sealed and Sorry for NO pictures of the contents it is brand new and shrinkwrapped sealed..
O.k...I  googled the info.
As pictured, the ONE sealed box with cd, blu-ray disc in it you will receive
As Is, Final Sale.  Good Luck In Bidding!
Thanks! and sorry for all the details...whew!!!
Just a conclusion note on the item, I found on google:
Braxton’s
Trillium
Operatic Complex is the passion project of this stage of his career. A little over halfway through the ambitious compositional undertaking, he works diligently toward his goal. The project is musical, theatrical, philosophical, spiritual, and ritual.
Trillium
, in its sounds, narratives, and performance realities, affirms and challenges our notions about what it means to forge and maintain community while making room for the infinite experiences of the individuals involved.  As Braxton explains, “This is an attempt to better appreciate universal ‘balance’ and vibrational oppositions as well as the beauty and unbeauty of existence and sound wonder.”